This painting draws from ancient Egyptian wall reliefs, with herons and papyrus forms emerging through a fractured mosaic surface. A deep teal field references the Nile River, while the grid of small tile-like marks feels both structured and broken—cracked open to reveal the imagery beneath. The composition sits between representation and abstraction, like a relic partially uncovered over time.
Built using acrylic, stucco, and charcoal, the surface is layered, eroded, and sanded back to create a patinated, aged finish. The contrast between the geometric mosaic and the engraved organic forms creates tension between control and decay—preservation and loss. The work reflects an interest in how history is buried, revealed, and remembered through material.
Details:
• Acrylic, stucco, and charcoal on canvas
• 24 × 36 × 1.5 inches
• Created in California, USA, 2026
Note: Surface texture and finish may appear differently depending on lighting conditions. Subtle variations are part of the work’s character.
This painting draws from ancient Egyptian wall reliefs, with herons and papyrus forms emerging through a fractured mosaic surface. A deep teal field references the Nile River, while the grid of small tile-like marks feels both structured and broken—cracked open to reveal the imagery beneath. The composition sits between representation and abstraction, like a relic partially uncovered over time.
Built using acrylic, stucco, and charcoal, the surface is layered, eroded, and sanded back to create a patinated, aged finish. The contrast between the geometric mosaic and the engraved organic forms creates tension between control and decay—preservation and loss. The work reflects an interest in how history is buried, revealed, and remembered through material.
Details:
• Acrylic, stucco, and charcoal on canvas
• 24 × 36 × 1.5 inches
• Created in California, USA, 2026
Note: Surface texture and finish may appear differently depending on lighting conditions. Subtle variations are part of the work’s character.
